
To recap: If I were to write about the opening scene of BV and what it means, I would begin with these two observations: the camera moves from high to low, and from long shots to close-ups. Why? How do those specific patterns of camera movement help give form to the "meaning" of the scene? What do we see when we get really close-up to something, according to David Lynch, the director? This is the line of thinking that you must use to analyze a text rhetorically.
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