Tuesday, March 25, 2008
Sunday, December 9, 2007
Movie night
Saturday, December 1, 2007
"The Bloggin' Train":
Thursday, November 29, 2007
Free Book? I'll Take That:
I am sorry that I forgot to ask you about this after class that day, but could you post the information on how to order that free book for freshman on the 100 books professors wish they had read in college? I would definitely be interested and maybe somebody else forgot about it as well. Thank you!
The Big Lebowski: The finale of class
Wednesday, November 28, 2007
Imperial Life in the Emeral City: Inside Iraq's Green Zone
Boys in the Bubble
Regardless of how the war ends, Iraq is not Vietnam. This is true not just militarily and politically but also in the reporting about the two conflicts. For many journalists who covered Vietnam and subsequently wrote books about the war, the experience could be understood only as a hallucinogenic nightmare, and they described it in gonzo prose to match. The reality of Iraq is much more frightening than a bad acid trip, but the writing about this continuing fiasco has been cleareyed and sober, and all the more powerful for it. Rajiv Chandrasekaran’s “Imperial Life in the Emerald City: Inside Iraq’s Green Zone” is a fine example.
This book tells the bureaucratic story of Iraq’s Year 1, the year after the overthrow of Saddam Hussein, when the United States was the legal occupying power and responsible for the country’s administration. The primary mechanism for that work was the Coalition Provisional Authority, headquartered in the Green Zone, a blast-barrier-encased compound created around Hussein’s Baghdad palace, on the west bank of the Tigris. Chandrasekaran, The Washington Post’s Baghdad bureau chief during this period, catalogs a lethal combination of official arrogance and ineptitude behind those walls that doomed Iraq to its bloody present every bit as much as insufficient military manpower did.
To begin with, the C.P.A.’s recruitment policy would have shamed Tammany Hall. Loyalty to George W. Bush and the Republican Party was apparently the prime criterion for getting work at the C.P.A. To determine their suitability for positions in Iraq, some prospective employees were asked their views on Roe v. Wade. Others were asked whom they voted for in 2000. Republican congressmen, conservative think tanks and party activists were all solicited by the White House’s liaison at the Pentagon, James O’Beirne, to suggest possible staffers.
Before the war began, Frederick M. Burkle Jr. was assigned to oversee Iraq’s health care system. He had a résumé to die for: a physician with a master’s degree in public health, and postgraduate degrees from Harvard, Yale, Dartmouth and Berkeley. He also had two bronze stars for military service in the Navy, as well as field experience with the Kurds in northern Iraq after the 1991 gulf war. A week after the liberation, he was told he was being replaced because, Chandrasekaran writes, “a senior official at USAID told him that the White House wanted a ‘loyalist’ in the job.”
That loyalist was James K. Haveman Jr., who had been recommended by the former Michigan governor John Engler. Haveman’s résumé included running a Christian adoption agency that counseled young women against abortions. He spent much of his time in Iraq preparing to privatize the state-owned drug supply firm — perhaps not the most important priority since almost every hospital in the country had been thoroughly looted in the days after Hussein was overthrown.
On page after page, Chandrasekaran details other projects of the C.P.A.’s bright young Republican ideologues — like modernizing the Baghdad stock exchange, or quickly privatizing every service that had previously been provided by the state. Some of these ideas would have been laudable if they were being planned for a country with functioning power and water supplies, and that wasn’t tottering on the brink of anarchy.
But how could these young Americans have known what life was like for ordinary Iraqis since they never left the Green Zone? Instead, they turned the place into something like a college campus. After a hard day of dreaming up increasingly improbable projects, the kids did what kids do — headed for the bar and looked for a hookup. As for the Iraqis, they were conspicuous by their absence.
Presiding over this unreal world was the American viceroy, L. Paul Bremer III, who comes across in this book as a man who has read one C.E.O. memoir too many, a man who knew his mind and would not have his decisions changed by the inconvenient reality of Iraqi life just outside the blast barriers. All of this would be funny in a Joseph Heller kind of way if tens of thousands of Iraqis and thousands of American soldiers weren’t to die because of the decisions made by the C.P.A., the Pentagon and the White House.
In Chandrasekaran’s account, all the arrogance, stubbornness and desire for career advancement crystallized at the end of March 2004, when Bremer decided to shut down a newspaper published by the radical Shiite cleric Moktada al-Sadr. With typical high-handedness, he made the decision without thinking through the possible consequences. He had no military backup plan if Sadr decided to fight and, predictably, Sadr’s Mahdi Army did fight back. Within a few days four American private security operatives were ambushed and killed in Falluja, their mutilated bodies hung from a bridge over the Euphrates. Suddenly, a year after overthrowing Hussein, the United States was fighting Shiite insurgents on one front and Sunni insurgents on another. This is the one and only time that the American military appears in Chandrasekaran’s otherwise civilian story, but his description of the skirmish between a platoon from the Army’s First Cavalry Division and Mahdi Army fighters is absolutely brilliant. It is eyewitness history of the first order.
If there is one thing missing from this account it is the author himself. Reading a 300-page book is a bit like driving across country with a stranger you’ve met through a message board. By the time you reach the Mississippi you hope to know your traveling companion reasonably well. That’s not the case here. Chandrasekaran’s personal views are absent until almost the very end of the book.
I think I understand why. He is adhering to the professional code of journalism: reporting facts with scrupulous neutrality and objectivity. However, I sometimes think that the relentless political attacks on the professionalism of reporters in Iraq have forced them to take a very narrow view of what that neutrality and objectivity mean. Those of us who have covered the invasion and its aftermath have an obligation not only as journalists but as citizens. We have had a privileged view of these epoch-defining events (and we didn’t get our jobs by taking litmus tests on abortion). We have a duty to bear passionate, accurate, personal witness — to be something more than mere compilers of facts.
It would have been worthwhile if Chandrasekaran had given us a greater sense of what he thought about overthrowing Hussein and, more to the point, what he felt upon returning to Washington after having seen the bloody result of its policies. But that is a philosophical difference I have with the author. This is a clearly written, blessedly undidactic book. It should be read by anyone who wants to understand how things went so badly wrong in Iraq.
Thursday, November 15, 2007
More RA topics
1. Maya Lin, either the documentary or her own essay.
2. Rambo: First Blood Part I or Rambo: First Blood Part II. Both are equally, uhh... worth writing about.
3. David Foster Wallace's essay "Up, Simba" in your course packet
4. Al Gore's Inconvenient Truth, and ten rhetorical strategies he uses that make his presentation go.
5. Any other text that you deem worthy of your own analysis.
Wednesday, November 14, 2007
Maya Lin
Maya Lin
It took courage to stand up for her design against some of the people that disagreed with her design. Sadly, most of the people that were against her design were simply into petty arguments such as the nationality of Maya Lin.
Achillies in Vietnam
Vietnam vs. Greek Mythology
Two totally different civilizations. Two totally different time periods. Two totally different battles. And yet, Shay is still able to successfully merge together the two seemingly different wars. By making references to Homer's classic story, the Iliad, Shay reveals the timeless themes within all wars. Obviously there was no Athena or Hera or even Zeus in Vietnam, but the search for meaning within the chaos of war proves to be present in both Vietnam and in Troy. The total destruction and the lack of morality brought about by war is emphasized through the comparisons to this Greek literature. The overly dramatic and fantasized scenes in the Iliad help pin point the abstract struggle within the Vietnam soldiers.
Other then exemplifiing the univerisal themes within war, examples from the Iliad also serve as a good reference for the reader. Although his books were written 3000 or so years before our time, Homer's works are among the most widely read pieces of literature (other then Shakespeare and the Bible). Chances are that most people, at one time or another, have been introduced to the famous story of the Trojan War. Sure, we may not remember all the detials... something about a guy named Achilles and his foot and he was friends with Zeus and all those gods on Mount Olympus, and there was some girl named Helen, she was pretty... Sure, we might not know all the detials but we have a basic idea. There is a much higher probability that more people would understand references to the Iliad rather then ones to, lets say, A Tale of Two Cities. Both deal with war, but Shay purposely makes the comparison to the Iliad instead because readers are more likely to make the connection between the references and the Vietnam War. Which in turn leads to a better understanding of the struggle that the Vietnam soldiers endured.
Achilles in Vietnam & Maya Lin
I admire Maya Lin for her ability to stick up for her original plan, for it was her design that won the contest. She did not let the opinions of others let it change her mind. All it took was for everyone to understand her intentions behind the idea. She did not mean any harm and in no way wanted the memorial to be like a stab in the back, like one veteran saw it as. It is incredible to see someone our age put so much thought into the memorial and have the strength to stick by it. Like she said, any memorial would have evoked controversy and I don't think she could have handled it better any other way. I can see why Mr. P says he falls in love with her everytime he watches the documentary.
The veteran's perspective is an extremely important one. Sure LBJ and McNamara make these decisions but the veterans are the ones suffering and really fighting for their country. Actions speak louder than words - McNamara and LBJ make these decisions, but who are the ones really implementing the plans? Who are the ones fighting?
Maya Lin
Reflection
The names are carved into a shiny black wall in which you can see yourself. You feel responsibility, guilt and shame. You are beside the names in the wall- but worse you are alive and they aren't.
This shame and guilt makes me think of Hearts and Minds. In my RA I argued that Davis shows scenes of a brothel and a football game to impose shame and guilt upon the viewer. The same goes for the reflection in the wall. It is reflecting everything about life, not only life in the viewer but behind the viewer in the capital of the US.
This is so moving when you look into it, its amazing.
Maya Lin
Even in the Civil Rights Memorial, she uses the flowing water to symbolize healing. I think it's amazing how much thought Maya Lin puts into these designs and the way she incorporates the meanings through symbolism is remarkable. I never thought architecture could have anything rhetorical attached to it. Whenever I visited memorials or monuments, I never really bothered to understand the symbolism or hidden meanings behind it. But after watching the documentary and understanding what thoughts go behind building a monument that has so many emotions and controversies related to it, I really admire Maya Lin. Not only for her courage to face the criticism that she did at such a young age but also for her sheer genius in doing what she does.
The Face that Launched 1,000 Ships:
Achilles is revealed to struggle with feelings of desolation and becomes consumed by rage. This parallels with the interviews Shay conducts with Vietnam veterans in psychiatric wards suffering from post-traumatic stress disorders. The comparison between the two subjects is clear and generates new thoughts and insight into both the classical work and our own understanding of the veterans. More than anything, I now feel a profound need to help those that went off to war, fighting for America, and returned home as something less than they were before, bereft of hopes for the future and a connection with society.
The one thing this book does not question is our motives for being in the war in the first place. Menelaus goes off to Troy to retrieve his wife and Achilles follows as a man loyal to his allegiances. Why did we go?
Maya Lin
Tuesday, November 13, 2007
RA #11: An Inconvenient Truth
Mission: Watch An Inconvenient Truth in its entirety.
Discern: 10 rhetorical strategies Al Gore uses to make his presentation kick-ass.
Write: On your personal blog, number the ten points 1-10 and after each observation, tell me why it makes his rhetoric and his presentation better.
Reflect: On how you, too, can use these strategies to help turn your presentation into something the class will learn from and enjoy. The goal is excellence and nothing but.
Project Sign Up List
1. Jenny
2. Brant
3. Tiffany
4. Cory
Thursday 29
5. Kiersten
6. Deepti
7. Eva
8. Jeff
December 4
9. Casey
10. Jorge
11. Severin
12. Taylor
December 6
13. Daniel
14. Caroline
Monday, November 12, 2007
Maya Lin and the Vietnam Memorial
Introduction to Achilles in Vietnam
This book explores another aspect of the Vietnam War: something we've not really discussed till now. What happens to the soldiers AFTER the war is over or after they return to their homes? Their lives are changed forever, they're different people altogether. The introduction of this book sets the stage for the rest of the book that is to come. It doesn't mention Homer or Achilles or anything else, yet. It just gives an account of a war veteran and how his daily life has been affected by the war. The first-person account really makes the situation relatable, and just more..real. We've have various discussions about the importance of fiction v. non-fiction. But truly, knowing that this whole account is real and non-fiction tends to make a MUCH stronger impact on me because these are experiences that real people have gone through. Shay begins the book with the basics...no fancy analogies, no hard-to-understand analysis. He just gives an honest, word-to-word account of a war veteran's dilemma in dealing with daily life. I think this really helps the reader understand the overall situation of post-war trauma before the book goes into depth and into the technicalities of this condition.
Thursday, November 8, 2007
What a mess!
Was McNamara good or bad? I don't think there's an answer to this. He was a genius, no doubt but he made some blatantly wrong decisions concerning the Vietnam War and he seemed to be well aware of it by the end. I actually felt so frustrated during the movie because it was obvious we had ample opportunities to pull out before things got out of hand but we chose to prolong the war. LBJ made several wrong decisions which led to years of misery. Why did he not listen to Ball and Clifford? Why was he so influenced by McNamara? Why was McNamara so adamant on going on with the war?
If only we'd stopped ourselves in time...
Fog of War
Fog of War and Path to War
Wednesday, November 7, 2007
Path to War
Path to War and the portrayal of LBJ
Fog of War
McNamara fills us in with a broad range of information dating all the way back to World War I. We learn about the ideals of Woodrow Wilson, the threat of nuclear war, Kennedy's assassination, and Johnson's term as president. All of which lead to the very complicated situation within Vietnam at the time. Before the documentary we have not seen a piece of Rhetoric that involves all these key aspects. I almost forgot how important the Cold War and the impending destruction of "the bomb" was to the situation. Although Johnson is notorious for his role in the Vietnam War, it is easy to overlook the much worse damage that would have ensued if Goldwater (who was equally as notorious for his love for the atom bomb) would've taken the presidency. There were many deaths... both the Vietnamese and American... but the numbers would have been much higher if we had chosen to simply bomb. McNamara points out in the beginning of the film that the government's perception that Vietnam was fighting only for the Chinese and Russian governments (rather then for their independence) proved to be a major reason for America's involvement. The extreme fear of communism nations played a HUGE part of the war and it was interesting to see a documentary that included that.
Johnson & McNamara
The scene in church was important to me and very symbolic. Johnson brought hatred, fear and anxiety into such a calm and serene setting- just like he sent bombs, soldiers and guns into Vietnam.
Path to War and Fog of War
What stuck out the most to me was in Path to War how there were multiple occassions when LBJ could've pulled out of the war but he didn't. It took him awhile to realize that his actions were not getting anywhere in terms of winning the war. Instead, more lives were killed, time was wasted, and a lot of money was spent. Whats even more disappointing is, here we are 30 years later and we're still making the same mistake by going to war with Iraq.
The movie portrayed LBJ in a way that was asking for sympathy. We see him frustrated and wishing life was the way it was before he was president. We get to see just how much chaos really goes on in the white house.
The Political Side of the War
In response to Severin...
I believe he is not simply stating that the war was complex and that there was confusion as to why we were there, but more importantly he was trying to convey that there are complex and necessary decisions that rest upon the shoulders of few individuals. Is there some sort of moral law that leaders should abide to? Ofcourse. But when it comes to protecting the interest of one's nation, a leader has to make decision that will affect many lives and stand by that decision. Sometimes it can be the right decision, other times it can prove to be a drastic mistake. I believe McNamara said a mistake can kill a nation.
Imagine if you had to bear that burden. How could you sleep at night? What would you do? How would you handle the criticism? There is no way of escaping the aftermath of your decision/indecision: lives will be lost no matter. Will you save a life by taking one?
Choices in War:
When we look back on the war today, even now we do not comprehend fully what lead to the conflict and why it was necessary. In a historical context, however, even now we cannot look back and say with clarity that if we had not gone into Vietnam, everything would have turned out fine. Domino theory was never disproved and never can be at this point, but it is a far better thing that it did not occur than had we risked not creating a war with the Vietnamese and it had. The greatest crime, is that our officials seem to have learned nothing from the recent past and thrust us into a war with Iraq for reasons even less understandable and seemingly meaningless than Vietnam.
Fog of War and Path to War
Something interesting about this movie was the way they showed the Gulf of Tonkin affair. This scene was briefly touched on in this movie, but it was very important in igniting a conflict between US and North Vietnam. There was a lot of confusion here; as a viewer, I couldn't really tell if they had confirmed if the North Vietnamese had actually attacked or not. Anyways, LBJ began to order bombings. There was not much to say about any lying that took place about what happened to the public. It seems like LBJ himself was misinformed about the incident. The movie also makes him look good by the way he reacted to the pilot that was shot down during one of the first bombing missions. He seemed to be so hurt by the loss of just one person (out of the eventual 55,000).
Tuesday, November 6, 2007
Tuesday Recap; On Tap for Thursday
On Thursday we will try our best to do the following:
1. Read and talk briefly about another Susan Sontag article.
2. Talk about your final projects: what you are doing and what are the main questions motivating your project. In other words, it is only the beginning to say "I'll be interviewing so and so." Next you need to tell us why you are interviewing so and so and what questions you hope to answer by doing whatever you're doing; that is the difference between an unsophisticated and flat report and an insightful and worthwhile project. Think about Sontag: she didn't merely report that the Vietnamese use of language was "flat" but also asked herself why she was perceiving it that way which in turn enabled her to break through her own cultural perspective and allowed her to come up with an answer as to why they speak the way they do.
3. Talk about Fog of War and Path to War. Your RAs for this week should be about how the two movies compare and contrast to one another. One angle, for example, might be to ask how we feel about Robert McNamara after seeing Path to War and why? Then: how do we feel after seeing Fog of War? Why? What is it about the rhetoric of the films that moves us toward these ways of seeing?
Monday, November 5, 2007
Okay... maybe not...
RSVP
Sunday, November 4, 2007
Saturday, November 3, 2007
Rejoice
Friends,
From now until the end of class, your blogging requirement is as follows:
I would like you to post once on your personal blog by Monday at 10pm and once on the community blog by Wednesday at 10pm. So instead of 4 blogs per week, you now only have to write two. That's the good news. The better news is that now all your blogs will be thoughtful, engaging, and will show evidence of deeper critical thinking and will be a showcase of your ability to convey those deeper thoughts in your writing--a perfect example of when less is more.
Thursday, November 1, 2007
Question for the Class Regarding Monday's Movie Night:
November 1st Recap
Because a large percentage of the class was suffering from some terrible Halloween hangover, either physical or spiritual, or both, I decided to take pity on your debauchery-inclined selves and extend the RA deadline to Tuesday. Likewise, be prepared to say lots of smart things about "Trip to Hanoi" on Tuesday in class. It is an important text and merits a thorough discussion.
Meanwhile, back at the farm, the brave souls who did make it to class (including Kiersten, who was still recovering from her cameo as Little Red Riding Hood) watched the first 40 minutes of the film Path to War. I am going to watch the remaining 2 hours of the film at 8pm on Monday night at my humble home, and everyone is invited. It is not mandatory to show up, but it is mandatory that you watch the film. If you plan on making it, please let me know so I can buy ample popcorn.
Next Thursday's RA will ask you to compare and contrast (loosely and in any insightful way you see fit) Path of War and Fog of War, the other film which you are responsible for watching this coming week.
A peaceful and restful weekend to you all.
Trip to Hanoi
It is interesting to see a first hand recollection of a trip (by an American) to North Vietnam during the war. You really see the misunderstanding between people of different cultures but also between people of differing ideological perspectives. Sontag writes that she is treated with extreme hospitality because she is a guest in the country. This is not something you would expect for a foreigner from a country that is invading their own. She ate fresh meat and fish every day while most regular people would eat rice and bean curd every day. It is simply oriental attitudes that cause them to treat guests so well. I think the part that most stands out was the fact that Sontag, feeling uncomfortable about being treated so well compared to regular people, didn't know what to do. Was she supposed to ask them to back down? If she did, would they be offended? Would they laugh when she asked for rice and bean curd over fresh meat? This shows that she not only understands how they act but also what they would think. A country with people of such different values about guests would obviously also have different attitudes towards political issues such as communism.
In response to whether or not Trip to Hanoi is "more real", I would agree that Sontag's writing does have more of an effect on people. This all comes down to pretty much the same issue as before in The Things They Carried. The fact that you know that it happened makes it so that it has more of an effect on people. If you knew that it was a fictional story it wouldn't have the same effect on people; this was something that O'Brien was well aware of when he was creating the structure of his book.
Wednesday, October 31, 2007
The Rhetoric of Hearts and Minds
Re: Trip to Hanoi Questions
Another question is, is it common that there are non fiction works out there with a tad bit of fiction? Like we've discussed before, sometimes we tend to fill in gaps of our memory by putting in thoughts that we think happen because we don't remember. We hear things and see things so often that we begin to accept it as truth when maybe we don't really know if that's true. Also do we sometimes twist up stories to make it more interesting? Do we really believe that everything labeled non-fiction is the absolute truth with no sugarcoating or additions to make interesting?
Trip to Hanoi
Trip to Hanoi questions
Hearts and Minds
Dashboard Confessional:
Topic for "Trip to Hanoi" RA
Hearts and Minds vs Trip to Hanoi
I thought it was interesting how the author used "I" and "we" as well and I think in Hearts and Minds this is equivalent to showing scenes of a football game and a parade; reminding the viewer (or reader) that he is American by showing what a stereotypical American is or does.
The section of the reading in which the author is taken to the grave of an American pilot was touching to me as well because I couldn't believe it was true. We have seen and read so much material about Americans killing Vietnamese for sport and in mass numbers (like in Hearts and Minds- the former soldiers being interviewed systematically killed hundreds without thinking twice), yet the Vietnamese make an effort to protect an American corpse...an American who killed Vietnamese. This seems too nice or perfect? Why would they do this? Americans do not make graves for them/care about their families? I think the author told this story to shock the reader out of thinking Americans are perfect and Vietnamese do not have feelings or emotions.
Monday, October 29, 2007
Trip To Hanoi
Trip to Hanoi
hearts & minds and peer editing
Trip To Hanoi gave us a perspective of the Vietnamese culture that we have also not seen with the exception of the opening scene of Hearts and Minds, though that was just a small amount. Susan Sontag's writing were effective in that we were able to feel as if we were there with her and understood her frustraion in being able to communicate and connect with the Vietnamese. The way that she compared and contrasted views of the Vietnamese and Americans helped us understand a bit of the Vietnamese culture and perspective and see how these two differ from one another. Not only have we learned of the war itself and its effect, I think learning about the Vietnamese culture is important to better help us understand where they are coming from.
HEARST&MINDS
It was also interesting to read everyone elses thoughts. Critiquing wasn't only helpful for our big paper... but it also gave me a even broader view of Hearts and Minds. We haven't discussed the documentary as a class yet, so I definitely learned a lot more from the arguments within the papers I critqued. See you all in class tomorrow!
Trip to Hanoi - Fiction/Nonfiction
I was just looking up Susan Sontag (author of Trip to Hanoi) and an interview of hers caught my eye. Here's what she said:
Susan Sontag: Fiction writers have been made very nervous by a problem of credibility. Many don't feel comfortable about doing it straight, and try to give fiction the character of nonfiction. That a document of the writer's own character and experience seems to have more authority than an invented fiction is perhaps more widespread in this country than elsewhere and reflects the triumph of psychological ways of looking at everything. I have friends who tell me that the only books by writers of fiction that really interest them are their letters and diaries.
I think that's a really interesting rhetoric observation. I noticed that as a reader, I enjoyed reading Trip to Hanoi and was persuaded by it because subconsciously, I knew it was a first person account. It was something that actually happened. It made it seem more personal, and somehow more real. I remember when I read the Diary of Anne Frank, what hit me about it the most was the truth in it.
Why is it like this though? Why is it so important for us to think of something as true/nonfiction for it to have an impact on us? Does fiction not have the ability to touch our hearts or persuade us as well as nonfiction? Is rhetoric then dependent on truth more than imagination?
peer editing
Trip to Hanoi
Trip to Hanoi & the use of journals
Response to Severin
As for Iran, this is an issue that everyone should look into seriously. I have ready many articles that talk about the Israeli's staging some sort of attack against the Iraniansand this will be the point when the Americans step into war against Iran (to protect our friends in Israel, of course)
If we do go to war with Iran, there will most definitely have to be a draft. Our enemy would expand further. I do believe Russia said a week ago that if the US goes to war with Iran, the US goes to war with Russia. World War III? Let's hope not.
It seems to me that the chief master would say something like that because the thought of war with Iran is now very real.
Field Training Exercise:
One thing that a chief master sergeant said however frightened me. He said, "When we go to war with Iran or Syria, our special ops teams will come in very handy!" I hated this. What really sickened me was the idea that not only is he preparing his men for war, but he is eagerly anticipating it. I think this represents a certain type of man that joins the military more for a longing for battle and to release pent-up aggression than as an opportunity for leadership, personal betterment, and the chance to defend his country. A man such as this should never be granted a position of power. The men smiled, laughed, and cheered him on all the way though after the things he would say. I just think the situation in Iraq is already more than this country can handle without planning to destroy the political structure of two additional countries.
Wednesday, October 24, 2007
The Pianist and Schindler's list
Re: Prostitution of Vietnam
I think what made the brothel scene repulsive was the scene that immediately followed. Right after one of the dudes says something to the effect of "If my girl at home could see this...", there's a quick cut to a Zippo being held by a U.S. soldier lighting a village hut on fire while his soldier buddies have them herded outside their homes. It's like Davis is saying not only is this brothel business demoralizing, but everything entailed by the Vietnam War is. The unnecessary herding of Vietnamese villagers through the use of force reduces them, making them as though they are less less than human. Forget that the huts are their homes, their personal sanctuaries, and everything in them is all they have. And as we watch their homes burn we cling to the words of the American solider that echo on, "If my chick at home could us now." Davis uses this scene to emphasize not only do the soldiers not know why they are fighting, but everyone back home has no clue what's going on in Vietnam. Davis seems to say if only everyone back at home could see what was going on over here, people would be pissed. What makes this scene so gross is that it reveals to us what is expended when "my chick" or an entire nation back home is unaware, be it personal ignorance, a government that hides it's actions, or both. What makes this scene disgusting is that it is all at the cost of burning villages, the demoralization of Vietnamese citizens, the sanity of young American soldiers and the death of so many people, Vietnamese and American alike.
Prostitution of Vietnam
I'm really glad Hearts and Minds allowed us to see the Vietnamese side of the story. It's something that seemed to be sorely missing from the other texts we've studied and it almost seemed as if the Vietnamese perspective wasn't even considered important in the VIETNAM War.
Hearts and Minds covers so many different aspects of the war. it doesn't just focus on the violence. It explores the impact on the Vietnamese, the impact on the American soldiers, the different viewpoints of the American soldiers, the political aspect, the business and industrial aspect...you name it, Davis covered it. He literally narrated the story of the Vietnam War in its entirety without going overboard on any one message. It was as if he was trying to ask the viewers (presumably Americans) a question instead of GIVING them an answer. Fantastic movie!
parade in Hearts & Minds
The final scene in the documentary was very interesting to me. A parade is a time when Americans can honor veterans and veterans can feel pride in what they have done. Showing this after a documentary designed to portray soldiers as ordinary, or even less than ordinary is important rhetorically. The soldiers throughout the documentary are shown as dehumanizing murderers who kill systematically, shown through the brothel scene, interviews and footage from Vietnam.
The irony of the final scene is Davis' last punch to the viewer's gut; almost mocking the American public and I think it is perfect as the last scene.
Tuesday, October 23, 2007
The rest of the article on The Pianist and Schindler's List is excellent. Please finish reading it critically, asking yourselves what he's saying and why he's saying those things. How does he develop his argument? Notice the little things like tone, style, transitions and thesis statements. How does he conclude? Then, after having finished it, read your peer's paper and see what kind of suggestions you can make that would make their paper as good as Sheppard's. Put Sheppard in his place. Show him how it's really done.
Hearts and Minds
Did anyone else think of The Things They Carried when Coker expressed his attitudes about people that dodged the draft? Contrary to O'Brien's attitudes, Coker said that people that ran were wrong, and that they were cowards. O'Brien thought that those that didn't run were cowards for not standing up for what they believe in. I thought that this was an interesting little thing to think about. Everyone is going to have their own attitudes about the war, even with a more or less one sided issue as the Vietnam War. Maybe it was just because this documentary was filmed in the early 70s, I don't know. There's no denying the fact that some people did/do think that the Vietnam War was worth it.
Hearts and minds
Monday, October 22, 2007
Hearts and Minds
Hearts and Minds
its been so long....
Cleaning up the cobwebs...
This movie has to be one of the most moving documentaries I have witnessed. There were many emotional cords struck through out the movie. Seeing firsthand the end results of America's attempt to "win a war" without any narration allowed us as the veiwer an overall greater experience. It really allowed the audience to see how America went from a nation of freedom fighters to that of blood thirsty winners.
Exposure:
Anyway, Hearts and Minds affected me more than any of the other films we have watched thus far. I watched it rather choppily and not under ideal conditions, but it was the first film we have seen which made me feel like crying. It is really the first film that I have seen in a long long while that has had any emotional effect upon me. It is just a sad sad film that makes us realize the hypocrisy of many American actions and forces the viewer to consider the humanity of people other than ourselves.
I gained a much greater understanding into the process of Vietnamization as well. For the first time, I understood that we were grooming South Vietnam to be more like America. We trained the S. Vietnamese soldiers to behave like our own troops, supplied their weaponry, and even began to bring our corporations into their country. Americanization would have been the better phrase for it.
Overall this was an extremely insightful and touching film that will linger with me for the remainder of this course and beyond. It is the first time I have ever really believed or understood the brutality of war.
For Tuesday
Sunday, October 21, 2007
Saturday, October 20, 2007
hearts and minds
I felt that this was the first thing we've seen that I actually felt like I connected with. Peter Davis uses a lot of interviews with Vietnamese citizens, something we have not seen in other films. We are able to see a side that wasn't too common in other films. I especially enjoyed the opening scene and the Vietnamese music. We also see a lot of the Vietnamese culture which I thought was pretty cool. I read somewhere online that the man working on the coffins was in more danger than Davis and those interviewing him. The interview took place in the basement of a hospital. If the man had been caught by a Vietnamese official he could have been imprisoned just for speaking to Davis and participating in the interview. I found that really interesting that the man seem to not care about that at all. His interview contributed a lot to the documentary.
There are many scenes that remain stuck in my head including the interview of the two old sister speaking of losing their sister and home. It was even more emotional hearing it in Vietnamese than in English. The scene of the young boy crying over the loss of his father still flashes back in my head. To be so young and lose a parent during a war that you don't understand is something I couldn't even imagine. Victory, LBJ said, "will depend on the hearts and minds of the people who actually live out there." That was something I found myself thinking about after the documentary was over.
I went to Blockbusters and Hollywood Video looking for the documentary to watch again to write my RA but couldn't find it at neither of the locations I went to. I did find the whole movie online so if anyone is interested, here it is:
you don't have to download it and it plays right in your window.
Friday, October 19, 2007
Wednesday, October 17, 2007
movies and more
i really enjoyed our movie night. initially i did not want to watch the movie around people because during every film so far i have gotten super emotional and unpleasant to be around. however, it was nice to be in a room filled with fellow classmates and experience a movie together as we simultaneously learn about the Vietnam war together.
the movie was less graphic and gory than i imagined. i expected this to be the most violent of all films for some reason. it seems like the movies that are extremely violent and graphic are the most disturbing initially. they leave you feeling sick and set a superior foundation for a slumber full of nightmares. i feel like hearts and minds, though less visually disturbing, captured the human emotion in such a way that leaves you thinking forever. where as troubling images can fade out of focus, hearing Westmoreland say something along the lines of "they don't value human life the same way we do" stings forever. I just can't get over the scene with the young boy crying relentlessly over the grave of his family member. The way the director juxtaposed images and ideas with such immaculate timing and coordination made each message so powerful. I think this movie deserves the awards it received and it deserves to be praised for its straightforwardness and recognition of the truth.